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His theories stand in stark contrast to much of Postmodernism, denying that modern commercial culture is as valid as that which preceded it, as it creates an atmosphere which serves to reinforce the status quo through creating false needs and a "fetish character" to culture rather than one which actually tries to question beliefs and ideologies.
The product of this culture industry is one that is designed to fill the leisure time of the audience. Adorno lambasts the notion of "free time" which he sees as the opposite of leisure, and the idea of hobbies being an affront to genuine interests.
Critics of the theory say that the products of mass culture would not be popular if people did not enjoy it, and that culture is self-determining in its administration.