| |
|
Goebbels, who studied Sociology and Music in Frankfurt/Main, is a composer notable for his mixture of styles, drawing from sources as varied as classical music, jazz, and rock music. He started composing music for theatre, film, and ballet, and has continued to do so, although he has since then broadened his repertoire to concerts and his oeuvre has recently come to include the opera Landschaft mit entfernten Verwandten (Landscape with Distant Relatives, 2002).
Much of his better known work, however, originated from his close collaboration with the East German writer Heiner Müller, resulting in stage compositions as well as shorter pieces (concerts as well as audio plays) loosely based on Müller texts, such as Verkommenes Ufer (Waste Shore, 1984), Die Befreiung des Prometheus (The Liberation of Prometheus, 1985), or Wolokolamsker Chaussee (Volokolamsk Highway, 1989). Goebbels' attempts to fill the space between theatre and opera left blank due to traditional genre borderline drawing has led to projects such as Schwarz auf Weiss (Black on White, 1996) or Die Wiederholung (The Repetition, 1997). The political nature of his work is often referred to by critics. His interest in Heiner Müller can partly be explained by the political character of Müller's texts, as may be the case with his interest in Bertolt Brecht and Hanns Eisler, works by the latter he used in composing his staged concert Eislermaterial (1998).
Goebbels' work is being increasingly acknowledged as he is being played and staged around the world and his recordings published. Also, Goebbels in recent years enjoyed the privilege of several guest professorships and nominations for composer-in-residence.