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Juan Maria Solare: List of works

This is a fairly complete list of works by composer and pianist Juan Maria Solare.

Table of contents
1 Stage works
2 Chamber music
3 Works for Solo Instruments
4 Lieder
5 Mixed Choir
6 Orchestra
7 Improvisations
8 Conceptual Works
9 Electronic Music

Stage works

Chamber music

The quartets 1) and 3) were first performed on Friday 19th Januar 2001 at the Hochschule für Musik in Cologne by Masao Tanibe, Pedro Munuera, Blandine Menard und Mehmet Özkanoglu.

Works for Solo Instruments

Lieder

Mixed Choir

  • "żCuándo saliredes, alba?" [When will ye break, dawn?] (Lope de Vega). (1983) [1'35"].
  • "Soledad" [Solitude] (Carlos Mastronardi) (1990) [2']. To Annele Moroder.
  • "Wanderers Nachtlied" [Wanderer's night-song] (Johann Wolfgang Goethe). Mixed Choir and Flute. (1992) [2'15"]. To Kirsten Reiher.
  • "Epithalámios (Fight right, Sisyphus)". Mixed Choir. (1993) [0'55"]. To Jan LaRue.
  • "Tiempo" [Time] (Javier Adúriz). Homogeneous Choir (better female choir) to four voices. (1993) [2'45"]
  • "Sombra" [Shadow] (Javier Adúriz). Mixed choir, eight voices. (1993) [2']. To Guillermo Milano.
  • "Un epitafio de Sábato" [An epitaph of Sábato] (Ernesto Sábato). Mixed choir, four parts. (Cologne, April 1995) [4'10"]. 9 pages.
  • "Requiem Brevis". Large mixed choir. In progress. Finished: Introitus [5'] and Kyrie [2'30"]. 15 pages.
  • "Haiku Nr 1" (own text). Mixed choir, six parts (SSAATB). Cologne, 21/OCT/1994 and 7/SEP/1995. [1'15"].
  • "Un haiku bilingüe/ein zweisprachiges Haiku" (Haiku Nr 2) (own text). Mixed choir, four parts or vocal quartet (Cologne, 5/SEP/1995) [2'30"]. Primera Mención Especial en el Primer Concurso Nacional "Juan Carlos Paz", organizado en 1996 por el Fondo Nacional de las Artes de Argentina (categoría "obra coral con o sin acompańamiento instrumental").
  • "Palmas" [Palms] for choir to eight parts, or for a large number of musicians ("palmists") dividede in eight groups, or for eight percussionists. (Köln and Stuttgart -in part, Paris- 19/10-29/12/1997) [11'00"].
  • "Preludios Invisibles" [Invisible Preludes] for speech choir or vocal quartet.
    • Number I (Sibilants): Stuttgart and Köln, 22-27/APR/1998. [2'30"]. To Guillermo Milano.
    • Number II (Vocals): Stuttgart and Köln, 1-16/MAY/1998. [6'15"]. To Estela Salomone.
    • The whole cycle will have five preludes.
  • "Su Voz" [His/Her voice] for four woman choirs at two parts, distributed around the audience. Text by Javier Adúriz. Köln, trains to and from Darmstadt, Unna, 31/MAR - 15/APR/2001. [7'30"] To Annele Moroder and her choir "Cantoría de la sierra".
  • "Desvariaciones Corales sobre el nombre GEDDES" for mixed choir at four voices. Text: vocalise or bocca chiusa. Travel Worpswede -> Amsterdam, 29/DEC/2001. [4'30"] To Delia Geddes.
  • "The numbers are many, but the Number is One" for spoken choir in four different languages. Buses from and to Worpswede, 11/APR-6/MAY/2002 [4'00"]
  • "Circa Cis" ["roughly within" but also "roughly C sharp"] for mixed choir (and Tape ad libitum). Conceived middle-end 2002, written down on 17-18/JAN/2003 in Worpswede. [10 Minutes or more]. To Ulrike Dehning.
  • "Verborgener Schatz" [Hidden Treasure] for mixed choir (SATB). Worpswede, 25-26/FEB/2003. Text: Muhammad. To the pastor Ewald Dubbert. [1'00"]
  • "Ernste Stunde" [Solemn Hour] for mixed choir (SATB). Worpswede, 1-2/MAR/2003. Text: Rainer Maria Rilke. [3'30"]

Orchestra

  • "Orchestral Variations" (1991, from "Variations for piano") [12']
  • "La memoria de Caronte" [The memory of Caronte] (Cologne, June 1994, after the homonymous piece for piano) [4'30"]. To Ligia.
  • "Tres Episodios" [Three Episodes] for string orchestra (FEB 1995) [3'30"]:
  • "im Nu" for string orchestra (minimal 4-4-3-2-1) (Cologne, 1-10 February 1995) [1'05"] To Maja Stenger.
  • "In no time" for string orchestra (minimal 8-8-6-3-2) (Cologne, 10 February 1995) [1'00"] To Ligia Liberatori.
  • "Ipso Facto" for string orchestra (minimal 1-1-1-1-1) (Cologne, 13-15 February 1995) [1'00"] To Evelyn Dyffort.
  • "Min az-zulumát" for large orchestra (Cologne, 1995) [16'00"]
  • "...Cuando la cornisa se termina..." [When the cornice finishes] for string orchestra (4-4-2-2-1), in three parts [14'00" = 4'45"+5'30"+3'45"]. Cologne, FEB/MAR 1997.
  • "Un ángel de hielo y fuego" [An Angel of Ice and Fire] for large orchestra (Cologne, May-19/July/1997) [11'00"] 2 Flautas (1st also piccolo), Fl contralto, 2 oboes, english Horn, 2 clarinets, bass clarinet, 2 bassoons, contrafagot; 4 horns, 3 trompets, 3 trombones, tuba; 3 percusionists (I: Vibraphon, middle-sized Tam-tam, 3 Log drums, 3 Tomtoms, Zambomba, crystals/glasses. II: suspended cymbal, large Tam-tam, Gongs, plate bells, Marimba, whip, timpani, crystals/glasses. III: Tube Bells, anvil, crotales, 5 Temple blocks, 3 Tomtoms, Tenor drum, gran cassa, crystals/glasses), piano, strings (16-14-12-10-8)

Improvisations

  • "Rara Avis", graphic score for two to four pianists at one or two pianos. (Cologne, May 1994) [5'].
  • "38317 -one study for two guitars" (Cologne, 1994) [2 to 6'].
  • "Endeca" for medium to large ensemble -with or without singers- or choir -with or without instruments. (Cologne, 27-28 July 1995). First Performance on 22/APR/1999 by Ruth Alexandru, Dorrit Bauerecker, Dorothee Haddenbruch, Josef Rebbe, Manfred Rücker, Mark Steinhäuser and the composer at the Aula Magna of the Hochschule für Musik in Cologne. Dorothee Haddenbruch organized a performance on 18/JUN/2001 with her students at the Musikschule Wuppertal (Germany).
  • "Envolvente" [Envelope], for eight performers, formation ad libitum. (Köln, 13/JUN/1999 & Kürten, 20-24/JUL/1999). 6 pages [10'-12'00"]. First performed on 18/JUN/2001 in Wuppertal (Germany) by a group of instrumentalists conducted by Dorothee Haddenbruch.
  • "Palinsesto Senso" [Palimpsixth sense], for Theremin (and Ring Modulator ad libitum). Graphic score. Lilienthal, 9/AUG/2002. For Luca Miti. [5'-7']
  • "Space equals ancient dimensions" for a free number of performers (dancers/musicians). Conceived in Salzburg on 2/MAR/2002, developed in Cologne (airport) on 28/JUN/2002, final form: Cologne 24/SEP/2002. [ca 12 Min]

Conceptual Works

  • "Al octavo día" [On the eight day], monologue for Viola and Piano. (December 1993)
  • "Encuesta" [Poll], for variable line-up. Worpswede, 9-11/MAY/2002. To Delia Geddes.

Electronic Music




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