Conceptual Art: Theory, Myth, and Practice, Cambridge University Press, New York and Cambridge (2004)

"Another Look at the Social Dimension of Indexing," in Thomas Dreher, Blurting in Art & Language Online (2002), http://blurting-in.zkm.de/e/home

"Frameworks and Phantoms" (with Mel Ramsden), Art-Language 2, no. 3 (1973)

"The Fine Structure of Collaboration," Art-Language 2, no. 3 (1973)

Blurting in Art & Language (With Ian Burn and Mel Ramsden) New York: Art & Language Press, and Halifax: Nova Scotia College of Art & Design Press, 1973.

"An Attempt at a Textual Analogue of a Possible Art & Language Exhibition" (with Neil Powell), in Art-Language New Series No. 3 (September 1999): 3-10

"We Have Submerged Victoriously," in Charles Harrison, ed., Art & Language in Practice (Volume Two: Critical Symposium). Barcelona: Fondació Antoni Tàpies, 1999. Pages 265-277. [Reprinted in translation in: Georges Roque, editor, Majeur ou Mineur? Les Hiérarchies en Art. Nîmes: Éditions Jacqueline Chambon, 2000. Pages 221-239]

"Inside a New York Art Gang: Selected Documents of Art & Language New York," in Alex Alberro and Blake Stimson, eds., Conceptual Art: A Critical Anthology. Cambridge, MA: MIT Press, 1999. Pages 470-485. (First published in Ann Stephen, ed., Artists Think: The Late Works of Ian Burn. Sydney: Power Publications, 1996. Pages 60-71)

"After Modernism’s Nervous Breakdown, What Do Artists Want?" in David Elliot, ed., Wounds: Between Democracy and Redemption in Contemporary Art. Stockholm: Moderna Museet, 1998. Pages 27-34

"Systems Upgrade: Conceptual Art and the Recoding of Information, Knowledge and Technology," MUTE No. 22 (December 2001): 36-41

"Review Article: Brain . . . and After: From Conceptual Art to Conceptual Strategies. Review of Rewriting Conceptual Art edited by Michael Newman and Jon Bird," Art History 24, no. 3 (June 2001): 445-449

"Review Essay: The Artist Out of Work? Ian Burn, Dialogue: Writings in Art History, Charles Harrison, Essays in Art & Language and Joseph Kosuth, Selected Writings," Word and Image (April-June 1993)

Review: London: "Art & Language," Artforum (May 1991)