Music of Canada's Maritimes

Music of Canada's Maritimes

The Maritime Provinces of Canada are culturally marked by the strong influence of Scottish and Irish settlers. Cape Breton Island is especially well-known for the Scottish influx in the late 18th and early 19th century. Scottish-style fiddle music, sometimes accompanied by the piano, was popular at the time, and these traditions survive today -- in some cases, like Cape Breton Island, Scottish folk traditions are better-maintained than in Scotland itself.

This article is part of the

Celtic music series.

Breton folk

Irish folk

Scottish folk

Welsh folk

Cornish and Manx folk

Galician, Cantabrian and Asturian

Canadian Maritime Provinces
and Cape Breton Island

Irish-Americans

This article is also part
of the Music of Canada series.

Quebec

Maritime Provinces and
Cape Breton Island

Prairie Provinces

Inuit

First Nations

The last two decades of the 20th century saw a revival in Maritime Celtic music, spurred by a wave of similar roots revivals in Quebec and the rest of Canada, Scotland, Ireland and the United States. Rufus Guinchard, a seventy-two year old fiddler from Daniel's Harbour, became the mentor for a new generation of bands from Newfoundland and the other Maritime provinces. The first major band to appear was Figgy Duff, whose career began in the late 1970s. Figgy Duff played jigs and reels, accompanied by drums and an accordion, and sang songs in both English and French.

By the late 1980s, Cape Breton had produced two minor crossover acts in The Rankins and Barra MacNeils, setting the stage for the mainstream breakthrough of Ashley MacIsaac in the mid-1990s. MacIsaac has incorporated a punk rock spirit into his traditional-style fiddling, and found a new legion of fans.

Other modern performers have continued to add new influences to traditional Maritime music, including hip hop beats and Gaelic lyrics in Mary Jane Lamond's Suas e, Western classical music in Puirt a Baroque's Bach Meets Cape Breton and Middle Eastern musical influences in Laurel MacDonald's Chroma. Halifax, Nova Scotia has become a center for music in the Maritime provinces, and also has music arriving from African immigrants, as well as gospel music from a variety of backgrounds. Prince Edward Island and New Brunswick have seen a roots revival of their own Acadien traditions, dating back to before the French settlers of the area were expelled to Louisiana and became the Cajuns. Barachois is probably the leading band of this revival, while The Gallants and The Arsenaults are two of the most famous Acadien musical families of the East Coast.